Since we’re in between finishing up the process of drafting poems for a chapbook and sending them in, I thought this would be a perfect time to share some poetry chapbook strategies. These are different than my post from a few years ago with 5 Tips for Organizing Poetry Chapbook Manuscripts, which is also worth a quick read.
Here are four poetry chapbook strategies:
- Include Only Your Most Vital Poems. Ten pages of great poetry is a lot more valuable than 100 pages of so-so poetry, just as one really excellent poem can make an entire career. Poets don’t have to recreate “Howl” or “The Love Song of J. Alfred Prufrock” with each and every poem, but poets should consider whether it’s better to have a 10-page chapbook of strong work or 20 pages of poems that “might be okay.” When in doubt, leave it out.
- Revise Each Included Poem. Even if a poem has been previously published, it’s a good rule of thumb to look at each poem with a fresh set of eyes when pulling them together for a collection. Some poems may be perfect, but many will likely be open to a small change here or a giant re-thinking there. Not sure how to get started? Here are 5 Ways to Revise Poems.
- Re-think Individual Poems as Part of Collection. When I re-worked Solving the World’s Problems with my editor, we looked at poems on the atomic (word-by-word and line-by-line) level, but we also considered how the poems worked with each other. As a result, I completely re-wrote a previously published poem about fortune cookies that made predictions related specifically to other poems within the collection. It was a small way to tie the entire collection together.
- Take Risks. As with poems, sometimes the best thing you can do as a poet is take a daring risk–even if it means that you fall flat on your face and/or fail. This can mean taking a risk in the subject matter of your poems, the organization of the collection, or other risks. Going back to my collection, my editor suggested trying a few risks, including removing punctuation and playing with line placement.
Do you find first drafts the easy part and revision kind of intimidating? If so, you’re not alone, and it’s common for writers to think the revision process is boring–but it doesn’t have to be!
In the 48-minute tutorial Re-Creating Poetry: How to Revise Poems, poets will learn how to go about re-creating their poems with the use of 7 revision filters that can help poets more effectively play with their poems after the first draft. Plus, it helps poets see how they make revision–gasp–fun!
Check out these other poetic posts:
from Writing Editor Blogs – WritersDigest.com